Episode Notes

Holzwarth, Hans Werner. (2016). Clyfford Still. Taschen. [https://www.taschen.com/pages/en/catalogue/art/all/44668/facts.clyfford_still.htm]

Anfam, David. (2012). Clyfford Still: The Artist's Materials. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-materials/]

Still, Clyfford. (2012). Clyfford Still: The Artist's Museum. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-museum/]

Giménez, Carmen, & Still, Clyfford. (2001). Clyfford Still: 1904-1980. The Menil Collection. [https://www.menil.org/exhibitions/153-clyfford-still-1904-1980]

Still, Clyfford. (1997). Clyfford Still: Paintings, 1944-1960. The Metropolitan Museum of Art. [https://www.metmuseum.org/art/metpublications/Clyfford_Still_Paintings_1944_1960]

Marika Herskovic. (2003). American Abstract Expressionism of the 1950s: An Illustrated Survey. New York School Press.

Sandler, Irving. (1970). The Triumph of American Painting: A History of Abstract Expressionism. Praeger Publishers.

Kramer, Hilton. (1959). The New York School: A Cultural Reckoning. Harper & Row.

Kuspit, Donald. (1990). Clyfford Still: Paintings 1944-1960. Hirshhorn Museum and Sculpture Garden. Clyfford Still Museum. (n.d.). Clyfford Still Biography. [https://clyffordstillmuseum.org/clyfford-still/biography/]

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Bibliography

1. "Equal (2015)" - Dia Art Foundation. https://www.diaart.org/visit/visit/dia-beacon-beacon-new-york-usa/artwork/equal-2015-richard-serra
2. "Equal (2015) by Richard Serra" - Artsy. https://www.artsy.net/artwork/richard-serra-equal
3. "Equal" - Wikipedia. https://en.wikipedia.org/wiki/Equal_(sculpture)
4. "Richard Serra: Sculpture, Prints, Drawings" - Gagosian. https://gagosian.com/artists/richard-serra/
5. "Richard Serra" - The Museum of Modern Art (MoMA). https://www.moma.org/artists/5345
6. "Richard Serra’s ‘Equal’ at David Zwirner, London" - Blouin ArtInfo. https://www.blouinartinfo.com/news/story/1251698/richard-serras-equal-at-david-zwirner-london
7. "Richard Serra: Equal" - David Zwirner Gallery. https://www.davidzwirner.com/exhibitions/2015/richard-serra-equal
8. "Equal by Richard Serra" - The Broad. https://www.thebroad.org/art/richard-serra/equal
9. "Richard Serra" - Guggenheim Museum. https://www.guggenheim.org/artwork/artist/richard-serra
10. "Equal" - Public Art Archive. https://www.publicartarchive.org/work/equal

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Arnason, H. H. (2014). History of Modern Art: Painting, Sculpture, Architecture, Photography (7th ed.). Pearson.

1. Gagosian Gallery. (2006). Damien Hirst: A Thousand Years. Gagosian Gallery.
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2. Hirst, Damien. (1992). I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now. Thames & Hudson.
   • URL: https://thamesandhudson.com/i-want-to-spend-the-rest-of-my-life-everywhere-with-everyone-one-to-one-always-forever-now-9780500276600
3. Hirst, Damien. (1997). Damien Hirst: I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now. Booth-Clibborn Editions.
   • URL: https://www.booth-clibborn.com/product/damien-hirst-i-want-to-spend-the-rest-of-my-life-everywhere-with-everyone-one-to-one-always-forever-now/
4. Schama, Simon. (1997). Dead Right: The Great Adventure of Damien Hirst. The New Yorker, 73(26), 46-55.
   • URL: https://www.newyorker.com/magazine/1997/09/22/dead-right
5. Livingstone, Marco. (2000). Damien Hirst. Tate Publishing.
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6. Heartney, Eleanor. (2004). Damien Hirst. Taschen.
   • URL: https://www.taschen.com/pages/en/catalogue/art/all/45308/facts.damien_hirst.htm
7. Smith, Karen. (2012). Who's afraid of Damien Hirst? Visual Culture in Britain, 13(3), 359-383.
   • URL: https://www.tandfonline.com/doi/abs/10.1080/14714787.2012.707529
8. Stallabrass, Julian. (1999). High Art Lite: British Art in the 1990s. Verso.
   • URL: https://www.versobooks.com/books/498-high-art-lite
9. Bishop, Claire. (2006). The Social Turn: Collaboration and Its Discontents. Artforum International, 44(6), 178-183.
   • URL: https://www.artforum.com/print/200604/the-social-turn-collaboration-and-its-discontents-12309
10. Hirst, Damien. (1993). Some Went Mad, Some Ran Away. Boxtree.
    • URL: https://www.goodreads.com/book/show/566545.Some_Went_Mad_Some_Ran_Away
11. Graham-Dixon, Andrew. (2001). Damien Hirst. Harry N. Abrams.
    • URL: https://www.penguinrandomhouse.com/books/116562/damien-hirst-by-andrew-graham-dixon/
12. Jones, Jonathan. (2001). Damien Hirst: On the Way to Work. Faber & Faber.
    • URL: https://www.faber.co.uk/9780571219112-damien-hirst.html
13. Gompertz, Will. (2015). What Are You Looking At? The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art. Plume.
    • URL: https://www.penguinrandomhouse.com/books/308087/what-are-you-looking-at-by-will-gompertz/
14. Ferguson, Russell. (1996). The Young British Artists. Thames & Hudson.
    • URL: https://www.thamesandhudson.com/the-young-british-artists-0-500-28039-1
15. Kent, Sarah. (1999). Young British Art: The Saatchi Decade. Booth-Clibborn Editions.
    • URL: https://www.goodreads.com/book/show/5464349-young-british-art
16. Kent, Sarah. (2001). Shark-Infested Waters: The Saatchi Collection of British Art in the 90s. Thames & Hudson.
    • URL: https://www.thamesandhudson.com/shark-infested-waters-9780500282328
17. Barber, Fionna. (1999). The Art of Medicine. BMJ: British Medical Journal, 319(7223), 1580.
    • URL: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1117243/
18. Gompertz, Will. (1997). The Other Hirst. The Guardian. Retrieved from https://www.theguardian.com/education/1997/sep/16/arts.highereducation
19. Schama, Simon. (1997). Dead Right: The Great Adventure of Damien Hirst. The New Yorker, 73(26), 46-55.
    • URL: https://www.newyorker.com/magazine/1997/09/22/dead-right
20. Walker, John A. (2000). Art in the Age of Mass Media. Pluto Press.
    • URL: https://www.plutobooks.com/9780745316422/art-in-the-age-of-mass-media/
21. Curtis, Penelope. (2001). Sculpture 1900-1945. Oxford University Press.
    • URL: https://global.oup.com/academic/product/sculpture-9780192842057?cc=us&lang=en&
22. Dorment, Richard. (2012). Damien Hirst: Why the artist is more important than the art. The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/9572193/Damien-Hirst-Why-the-artist-is-more-important-than-the-art.html
23. King, Elliott H. (2008). Damien Hirst and the Death of Art. New England Review, 29(3), 139-144.
    • URL: https://www.jstor.org/stable/30042283
24. Mullins, Edwin. (2006). The Painted Word: British Conceptualism 1964-1989. Ridinghouse.
    • URL: https://www.ridinghouse.co.uk/publications/44/
25. Knight, Christopher. (1999). For Art's Sake: An Open Letter to Charles Saatchi. Los Angeles Times. Retrieved from https://www.latimes.com/archives/la-xpm-1999-jun-20-ca-48476-story.html
26. Wullschlager, Jackie. (2009). The Stuckists: punk art rebels. Financial Times. Retrieved from https://www.ft.com/content/0c413354-9299-11de-aed2-00144feabdc0
27. Morris, Catherine. (2003). Strange Pilgrimages: Damien Hirst's “End of an Era” and the Production of British Art History. Oxford Art Journal, 26(1), 35–52.
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28. Molloy, Sean. (2008). Hirst's animal art under investigation. The Independent. Retrieved from https://www.independent.co.uk/arts-entertainment/art/news/hirsts-animal-art-under-investigation-771465.html
29. Cohen, Patricia. (2009). Art Review: Death Be Not Proud? The New York Times. Retrieved from https://www.nytimes.com/2009/06/01/arts/design/01hirst.html
30. Gleadell, Colin. (2010). Damien Hirst: What’s the Big Idea? The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/artsales/7626885/Damien-Hirst-whats-the-big-idea.html
31. Dorment, Richard. (2008). Damien Hirst: This artist's a sensation, but is he a great artist? The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/3673577/Damien-Hirst-This-artists-a-sensation-but-is-he-a-great-artist.html
32. Chilvers, Ian, and Glaves-Smith, John. (2009). A Dictionary of Modern and Contemporary Art (2nd ed.). Oxford University Press.
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33. Robertson, Jean. (2006). The Art Business. Routledge.
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Bibliography

1. Serra, Richard. Writings/Interviews. Edited by Douglas Crimp, University of Chicago Press, 1994.
2. Serra, Richard, and Kynaston McShine. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007.
3. Serra, Richard, and Hal Foster. Richard Serra, Sculpture. Guggenheim Museum, 1992.
4. Foster, Hal. "The Return of the Real: Richard Serra's Drawings." October, vol. 58, 1991, pp. 31-41.
5. Brenson, Michael. "ART VIEW; Richard Serra: The Space Between." The New York Times, 9 Nov. 1986, www.nytimes.com/1986/11/09/arts/art-view-richard-serra-the-space-between.html.
6. Kimmelman, Michael. "Richard Serra, Sculptor: Constructing New Worlds with Steel." The New York Times, 29 Mar. 1987, www.nytimes.com/1987/03/29/arts/art-view-richard-serra-sculptor-constructing-new-worlds-with-steel.html.
7. Hobbs, Robert. "Richard Serra." Artforum International, vol. 32, no. 9, 1994, pp. 82–87.
8. Ellegood, Anne, et al. Focus: Richard Serra. The Museum of Contemporary Art, Los Angeles, 2006.
9. Goldberg, Vicki. "Serra’s Public Art: Challenge and Awe." The New York Times, 16 June 1985, www.nytimes.com/1985/06/16/arts/art-view-serra-s-public-art-challenge-and-awe.html.
10. Kertess, Klaus. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007.
11. McShine, Kynaston, and Lynne Cooke. Richard Serra Drawing: A Retrospective. The Menil Collection, 2011.
12. Zelevansky, Lynn. "Richard Serra's 'Prop Pieces': An Interview." Artforum International, vol. 20, no. 7, 1982, pp. 30–35.
13. Krauss, Rosalind E. "The Originality of the Avant-Garde and Other Modernist Myths." The MIT Press, 1985.
14. Kramer, Hilton. "The Art World's Giant with the Flair of a Lilliputian." The New York Times, 20 Mar. 1983, www.nytimes.com/1983/03/20/arts/the-art-world-s-giant-with-the-flair-of-a-lilliputian.html.
15. Kimmelman, Michael. "Experiencing Richard Serra's Mammoth 'Intersection'." The New York Times, 11 Oct. 1992, www.nytimes.com/1992/10/11/arts/art-experiencing-richard-serra-s-mammoth-intersection.html.

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Resources for info on Cy Twombly

1. The Cy Twombly Foundation Website (cytwombly.org)
2. The Museum of Modern Art (MoMA) (moma.org)
3. The Gagosian Gallery (gagosian.com)
4. Tate Modern (tate.org.uk)
5. The Whitney Museum of American Art (whitney.org)
6. Artforum (artforum.com)
7. The Art Story (theartstory.org)
8. The Guardian Art & Design Section (theguardian.com/artanddesign)
9. The New York Times Art Section (nytimes.com/section/arts)
10. Google Arts & Culture (artsandculture.google.com)

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Joan Brown (1938-1990) was an American figurative painter who was a key figure in the Bay Area Figurative Movement, which emerged in San Francisco in the 1950s and 60s. Her work is known for its powerful use of color and its exploration of identity, often focusing on the female experience. Brown was born in San Francisco and studied at the California School of Fine Arts (now the San Francisco Art Institute). She was strongly influenced by the Bay Area Figurative painters, including Richard Diebenkorn and David Park, who emphasized the importance of the human figure in their work. Brown's early paintings were characterized by a bold use of color and a focus on the human form, often depicting herself or her family members. In the 1960s, her work became more abstract, with a greater emphasis on texture and surface. In the 1970s, Brown returned to figurative painting, creating powerful images of women that challenged traditional notions of femininity. Her work often explored themes of motherhood, sexuality, and identity, and she was one of the few female artists of her time to gain widespread recognition. Brown's work has been exhibited widely in the United States and abroad, and she has been the subject of numerous retrospectives, including a major exhibition at the Berkeley Art Museum in 1990, the year of her death. Her legacy continues to influence contemporary artists today.

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https://www.ubu.com/aspen/aspen3/

Aspen magazine issue three is an utterly important document of pop art, a magazine a document of pop art Go figure, but Aspen was different. It was a magazine in a box. It was a bunch of loose printed pieces and audio pieces and sometimes even video pieces placed into a box and sold the 1960s and into the early 70s. I own three of them and sadly not issue three which is the pop art issue, which was designed by Andy Warhol and David Dalton. And this is an absolutely massively important piece. The pieces range from the Velvet Underground, the view from the bandstand which includes their a flexi disc and some of their music. It includes pieces by John Cale and Peter Walker, a wonderful 12 paintings from the powers collection. And that's the art collection of Thomas powers. And it has James Rosenquist, Bridget Riley, Joe Lang, Lichtenstein, Noland Warhol, Klaus Oldenburg plays Oldenburger Larry Poons, Jasper Jones, de Kooning, an underground movie flipbook by Warhol were you flipping it includes Warhols kiss a 10 trip ticket book, which was from the Berkeley conference on LSD, the plastic exploding inevitable, which is a one shot newspaper done for the Velvet Underground and Warhols factory show series. what's incredible about this isn't necessarily the quality of individual pieces, but how the consolidation of them into a box makes so much sense with the method because the cover is done as a mock of FAB detergent, and it says fab 10 cents off and then there's now Aspen it's an incredibly pop art image. And since it's a box, it's mocking and mimicking a boxed product. In essence, this is exactly what pop art is doing. It is documenting the everyday world and showing it back at you in a way that you will recognize and this magazine and the link I'll include is just phenomenal. And I'll do another couple of aspen issues, including two that I own. So stay tuned.

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