Bibliography

1. Morris, Sarah. "Sarah Morris: 1972." Guggenheim Museum Publications, 2009. This publication provides an overview of Sarah Morris's artistic practice, including her work "1952 (Rings)".
2. Dziewior, Yilmaz. "Sarah Morris: Beijing." Hatje Cantz, 2010. Although this book focuses primarily on Morris's work related to Beijing, it offers insights into her broader artistic themes and influences, which may shed light on "1952 (Rings)".
3. Gioni, Massimiliano, and Sarah Morris. "Sarah Morris: Capital." Charta, 2001. This publication accompanies an exhibition of Morris's work, including "1952 (Rings)". It likely contains critical essays and images related to the artwork.
4. Kamps, Toby, et al. "Sarah Morris: Bye Bye Brazil." Richter Verlag, 2010. While this book centers on Morris's project in Brazil, it could offer contextual information relevant to understanding "1952 (Rings)" in the context of her broader body of work.
5. Morris, Sarah, et al. "Sarah Morris: Los Angeles." JRP|Ringier, 2019. This publication may not directly discuss "1952 (Rings)", but it provides insight into Morris's exploration of urban landscapes and architecture, which are themes present in her work.
6. Obrist, Hans Ulrich, and Sarah Morris. "Sarah Morris." Moderna Museet, 2009. Published in conjunction with an exhibition at the Moderna Museet, this book could contain critical essays and interviews that touch upon "1952 (Rings)".
7. Schwabsky, Barry, et al. "Sarah Morris: Paintings, Drawings, Films." Richter Verlag, 2005. While primarily focusing on Morris's paintings, drawings, and films, this book may provide valuable background information on "1952 (Rings)".
8. Searle, Adrian, et al. "Sarah Morris: Beijing." Modern Art Oxford, 2008. This catalog accompanies an exhibition of Morris's work in Beijing, offering insights into her artistic process and themes, which could aid in understanding "1952 (Rings)".
9. Sirmans, Franklin, and Sarah Morris. "Sarah Morris: Rio." Artangel, 2005. Although centered on Morris's project in Rio de Janeiro, this publication may contain discussions or images that relate to "1952 (Rings)".
10. Tumlir, Jan, et al. "Sarah Morris: Midtown." JRP|Ringier, 2006. While focused on Morris's exploration of Midtown Manhattan, this book could provide useful context for understanding "1952 (Rings)" within the broader scope of her urban-themed works.

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Episode Notes

Sculpture "Love" by Marisol at Whitney Museum of American Art Website: https://whitney.org/collection/works/1131

Marisol Escobar - The Metropolitan Museum of Art Website: https://www.metmuseum.org/toah/hd/mari/hd_mari.htm

Marisol Escobar Biography - The Art Story Website: https://www.theartstory.org/artist/escobar-marisol/

Marisol Escobar - Encyclopedia Britannica Website: https://www.britannica.com/biography/Marisol

Marisol Escobar Biography - National Gallery of Art Website: https://www.nga.gov/collection/artist-info.3995.html

Marisol (Marisol Escobar) - Guggenheim Website: https://www.guggenheim.org/artwork/artist/marisol-escobar

Marisol - Museum of Modern Art (MoMA) Website: https://www.moma.org/artists/3840

Marisol Escobar - Smithsonian American Art Museum Website: https://americanart.si.edu/artist/marisol-escobar-1442

Marisol Escobar - Tate Website: https://www.tate.org.uk/art/artists/marisol-escobar-1058

Marisol - The Art Institute of Chicago Website: https://www.artic.edu/artists/27459/marisol

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Episode Notes

Bruce Conner: Biography. (n.d.). Retrieved from https://www.theartstory.org/artist/conner-bruce/ Bruce Conner. (2022). In Wikipedia. Retrieved from https://en.wikipedia.org/wiki/Bruce_Conner Bruce Conner: It's All True. (2016). San Francisco Museum of Modern Art. Retrieved from https://www.sfmoma.org/exhibition/bruce-conner-its-all-true/ Bruce Conner: The Art of Montage. (2016). Retrieved from https://www.moma.org/calendar/exhibitions/1580 Bruce Conner. (n.d.). In Guggenheim Collection Online. Retrieved from https://www.guggenheim.org/artwork/artist/bruce-conner Bruce Conner: Dream Logic. (2017). Museum of Modern Art. Retrieved from https://www.moma.org/calendar/exhibitions/3645

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Episode Notes

1. Drew, J. (2008). "Social Media: Genealogy, Culture, Politics." Edited by Jose van Dijck and Thomas Poell. Sage Publications.
2. Drew, J. (2012). "Making Waves: The Cultural Impact of Media Technology." Edited by José van Dijck, Thomas Poell, and Martijn de Waal. Amsterdam University Press.
3. Drew, J. (2013). "The Popular Music Studies Reader." Edited by Andy Bennett, Barry Shank, and Jason Toynbee. Routledge.
4. Drew, J., & Wills, D. (2008). "Media Interventions." Polity Press.
5. Drew, J. (2016). "A Counter-Hegemonic Approach to Media Studies: The Critical Media Lab." Communication, Culture & Critique, 9(1), 156-170.
6. Drew, J. (2010). "Digital Media: An Introduction." Oxford University Press.
7. Drew, J. (2018). "Media Activism in the Digital Age." Routledge.
8. Drew, J., & Gigi, A. (2015). "50 Years of Recuperation of the Situationist International." Princeton Architectural Press.
9. Drew, J., & Dunbar-Hester, C. (2019). "Beyond the Media Fix: Resisting the Attention Economy." Polity Press.
10. Drew, J. (2005). "We Are Everywhere: The Irresistible Rise of Global Anticapitalism." Verso Books.

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Episode Notes

1. Kim, H. K., & Nam June Paik Art Center. (2008). Nam June Paik. Nam June Paik Art Center. https://njpac-en.ggcf.kr/exhibition/nam-june-paik/
2. Electronic Arts Intermix. (n.d.). Nam June Paik: Bakelite Robot. Electronic Arts Intermix. https://www.eai.org/titles/bakelite-robot
3. Tate. (n.d.). Nam June Paik: Bakelite Robot (2002) – Artwork details. Tate. https://www.tate.org.uk/art/artworks/paik-bakelite-robot-t12764
4. Solomon R. Guggenheim Museum. (n.d.). Nam June Paik: Bakelite Robot (2002) – Exhibition Overview. Solomon R. Guggenheim Museum. https://www.guggenheim.org/exhibition/nam-june-paik
5. Nam June Paik Estate. (n.d.). Bakelite Robot. Nam June Paik Estate. http://www.paikstudios.com/pages/bakelite-robot
6. The Museum of Modern Art. (n.d.). Nam June Paik. The Museum of Modern Art. https://www.moma.org/artists/4471
7. Harvard Art Museums. (n.d.). Paik, Nam June. Harvard Art Museums. https://www.harvardartmuseums.org/collections/person/28226?person=28226
8. Centre Pompidou. (n.d.). Nam June Paik. Centre Pompidou. https://www.centrepompidou.fr/en/ressources/personne/c8Gyjk
9. MoMA PS1. (n.d.). Nam June Paik: Becoming Robot. MoMA PS1. https://www.moma.org/calendar/exhibitions/4099
10. Smithsonian American Art Museum. (n.d.). Paik, Nam June. Smithsonian American Art Museum. https://americanart.si.edu/artist/nam-june-paik-3737

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Episode Notes

Holzwarth, Hans Werner. (2016). Clyfford Still. Taschen. [https://www.taschen.com/pages/en/catalogue/art/all/44668/facts.clyfford_still.htm]

Anfam, David. (2012). Clyfford Still: The Artist's Materials. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-materials/]

Still, Clyfford. (2012). Clyfford Still: The Artist's Museum. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-museum/]

Giménez, Carmen, & Still, Clyfford. (2001). Clyfford Still: 1904-1980. The Menil Collection. [https://www.menil.org/exhibitions/153-clyfford-still-1904-1980]

Still, Clyfford. (1997). Clyfford Still: Paintings, 1944-1960. The Metropolitan Museum of Art. [https://www.metmuseum.org/art/metpublications/Clyfford_Still_Paintings_1944_1960]

Marika Herskovic. (2003). American Abstract Expressionism of the 1950s: An Illustrated Survey. New York School Press.

Sandler, Irving. (1970). The Triumph of American Painting: A History of Abstract Expressionism. Praeger Publishers.

Kramer, Hilton. (1959). The New York School: A Cultural Reckoning. Harper & Row.

Kuspit, Donald. (1990). Clyfford Still: Paintings 1944-1960. Hirshhorn Museum and Sculpture Garden. Clyfford Still Museum. (n.d.). Clyfford Still Biography. [https://clyffordstillmuseum.org/clyfford-still/biography/]

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Episode Notes

Bibliography

1. "Equal (2015)" - Dia Art Foundation. https://www.diaart.org/visit/visit/dia-beacon-beacon-new-york-usa/artwork/equal-2015-richard-serra
2. "Equal (2015) by Richard Serra" - Artsy. https://www.artsy.net/artwork/richard-serra-equal
3. "Equal" - Wikipedia. https://en.wikipedia.org/wiki/Equal_(sculpture)
4. "Richard Serra: Sculpture, Prints, Drawings" - Gagosian. https://gagosian.com/artists/richard-serra/
5. "Richard Serra" - The Museum of Modern Art (MoMA). https://www.moma.org/artists/5345
6. "Richard Serra’s ‘Equal’ at David Zwirner, London" - Blouin ArtInfo. https://www.blouinartinfo.com/news/story/1251698/richard-serras-equal-at-david-zwirner-london
7. "Richard Serra: Equal" - David Zwirner Gallery. https://www.davidzwirner.com/exhibitions/2015/richard-serra-equal
8. "Equal by Richard Serra" - The Broad. https://www.thebroad.org/art/richard-serra/equal
9. "Richard Serra" - Guggenheim Museum. https://www.guggenheim.org/artwork/artist/richard-serra
10. "Equal" - Public Art Archive. https://www.publicartarchive.org/work/equal

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Episode Notes

Arnason, H. H. (2014). History of Modern Art: Painting, Sculpture, Architecture, Photography (7th ed.). Pearson.

1. Gagosian Gallery. (2006). Damien Hirst: A Thousand Years. Gagosian Gallery.
   • URL: https://gagosian.com/shop/books/2006-damien-hirst-a-thousand-years/
2. Hirst, Damien. (1992). I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now. Thames & Hudson.
   • URL: https://thamesandhudson.com/i-want-to-spend-the-rest-of-my-life-everywhere-with-everyone-one-to-one-always-forever-now-9780500276600
3. Hirst, Damien. (1997). Damien Hirst: I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now. Booth-Clibborn Editions.
   • URL: https://www.booth-clibborn.com/product/damien-hirst-i-want-to-spend-the-rest-of-my-life-everywhere-with-everyone-one-to-one-always-forever-now/
4. Schama, Simon. (1997). Dead Right: The Great Adventure of Damien Hirst. The New Yorker, 73(26), 46-55.
   • URL: https://www.newyorker.com/magazine/1997/09/22/dead-right
5. Livingstone, Marco. (2000). Damien Hirst. Tate Publishing.
   • URL: https://shop.tate.org.uk/damien-hirst/15967.html
6. Heartney, Eleanor. (2004). Damien Hirst. Taschen.
   • URL: https://www.taschen.com/pages/en/catalogue/art/all/45308/facts.damien_hirst.htm
7. Smith, Karen. (2012). Who's afraid of Damien Hirst? Visual Culture in Britain, 13(3), 359-383.
   • URL: https://www.tandfonline.com/doi/abs/10.1080/14714787.2012.707529
8. Stallabrass, Julian. (1999). High Art Lite: British Art in the 1990s. Verso.
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9. Bishop, Claire. (2006). The Social Turn: Collaboration and Its Discontents. Artforum International, 44(6), 178-183.
   • URL: https://www.artforum.com/print/200604/the-social-turn-collaboration-and-its-discontents-12309
10. Hirst, Damien. (1993). Some Went Mad, Some Ran Away. Boxtree.
    • URL: https://www.goodreads.com/book/show/566545.Some_Went_Mad_Some_Ran_Away
11. Graham-Dixon, Andrew. (2001). Damien Hirst. Harry N. Abrams.
    • URL: https://www.penguinrandomhouse.com/books/116562/damien-hirst-by-andrew-graham-dixon/
12. Jones, Jonathan. (2001). Damien Hirst: On the Way to Work. Faber & Faber.
    • URL: https://www.faber.co.uk/9780571219112-damien-hirst.html
13. Gompertz, Will. (2015). What Are You Looking At? The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art. Plume.
    • URL: https://www.penguinrandomhouse.com/books/308087/what-are-you-looking-at-by-will-gompertz/
14. Ferguson, Russell. (1996). The Young British Artists. Thames & Hudson.
    • URL: https://www.thamesandhudson.com/the-young-british-artists-0-500-28039-1
15. Kent, Sarah. (1999). Young British Art: The Saatchi Decade. Booth-Clibborn Editions.
    • URL: https://www.goodreads.com/book/show/5464349-young-british-art
16. Kent, Sarah. (2001). Shark-Infested Waters: The Saatchi Collection of British Art in the 90s. Thames & Hudson.
    • URL: https://www.thamesandhudson.com/shark-infested-waters-9780500282328
17. Barber, Fionna. (1999). The Art of Medicine. BMJ: British Medical Journal, 319(7223), 1580.
    • URL: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1117243/
18. Gompertz, Will. (1997). The Other Hirst. The Guardian. Retrieved from https://www.theguardian.com/education/1997/sep/16/arts.highereducation
19. Schama, Simon. (1997). Dead Right: The Great Adventure of Damien Hirst. The New Yorker, 73(26), 46-55.
    • URL: https://www.newyorker.com/magazine/1997/09/22/dead-right
20. Walker, John A. (2000). Art in the Age of Mass Media. Pluto Press.
    • URL: https://www.plutobooks.com/9780745316422/art-in-the-age-of-mass-media/
21. Curtis, Penelope. (2001). Sculpture 1900-1945. Oxford University Press.
    • URL: https://global.oup.com/academic/product/sculpture-9780192842057?cc=us&lang=en&
22. Dorment, Richard. (2012). Damien Hirst: Why the artist is more important than the art. The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/9572193/Damien-Hirst-Why-the-artist-is-more-important-than-the-art.html
23. King, Elliott H. (2008). Damien Hirst and the Death of Art. New England Review, 29(3), 139-144.
    • URL: https://www.jstor.org/stable/30042283
24. Mullins, Edwin. (2006). The Painted Word: British Conceptualism 1964-1989. Ridinghouse.
    • URL: https://www.ridinghouse.co.uk/publications/44/
25. Knight, Christopher. (1999). For Art's Sake: An Open Letter to Charles Saatchi. Los Angeles Times. Retrieved from https://www.latimes.com/archives/la-xpm-1999-jun-20-ca-48476-story.html
26. Wullschlager, Jackie. (2009). The Stuckists: punk art rebels. Financial Times. Retrieved from https://www.ft.com/content/0c413354-9299-11de-aed2-00144feabdc0
27. Morris, Catherine. (2003). Strange Pilgrimages: Damien Hirst's “End of an Era” and the Production of British Art History. Oxford Art Journal, 26(1), 35–52.
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28. Molloy, Sean. (2008). Hirst's animal art under investigation. The Independent. Retrieved from https://www.independent.co.uk/arts-entertainment/art/news/hirsts-animal-art-under-investigation-771465.html
29. Cohen, Patricia. (2009). Art Review: Death Be Not Proud? The New York Times. Retrieved from https://www.nytimes.com/2009/06/01/arts/design/01hirst.html
30. Gleadell, Colin. (2010). Damien Hirst: What’s the Big Idea? The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/artsales/7626885/Damien-Hirst-whats-the-big-idea.html
31. Dorment, Richard. (2008). Damien Hirst: This artist's a sensation, but is he a great artist? The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/3673577/Damien-Hirst-This-artists-a-sensation-but-is-he-a-great-artist.html
32. Chilvers, Ian, and Glaves-Smith, John. (2009). A Dictionary of Modern and Contemporary Art (2nd ed.). Oxford University Press.
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33. Robertson, Jean. (2006). The Art Business. Routledge.
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Episode Notes

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Bibliography

1. Serra, Richard. Writings/Interviews. Edited by Douglas Crimp, University of Chicago Press, 1994.
2. Serra, Richard, and Kynaston McShine. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007.
3. Serra, Richard, and Hal Foster. Richard Serra, Sculpture. Guggenheim Museum, 1992.
4. Foster, Hal. "The Return of the Real: Richard Serra's Drawings." October, vol. 58, 1991, pp. 31-41.
5. Brenson, Michael. "ART VIEW; Richard Serra: The Space Between." The New York Times, 9 Nov. 1986, www.nytimes.com/1986/11/09/arts/art-view-richard-serra-the-space-between.html.
6. Kimmelman, Michael. "Richard Serra, Sculptor: Constructing New Worlds with Steel." The New York Times, 29 Mar. 1987, www.nytimes.com/1987/03/29/arts/art-view-richard-serra-sculptor-constructing-new-worlds-with-steel.html.
7. Hobbs, Robert. "Richard Serra." Artforum International, vol. 32, no. 9, 1994, pp. 82–87.
8. Ellegood, Anne, et al. Focus: Richard Serra. The Museum of Contemporary Art, Los Angeles, 2006.
9. Goldberg, Vicki. "Serra’s Public Art: Challenge and Awe." The New York Times, 16 June 1985, www.nytimes.com/1985/06/16/arts/art-view-serra-s-public-art-challenge-and-awe.html.
10. Kertess, Klaus. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007.
11. McShine, Kynaston, and Lynne Cooke. Richard Serra Drawing: A Retrospective. The Menil Collection, 2011.
12. Zelevansky, Lynn. "Richard Serra's 'Prop Pieces': An Interview." Artforum International, vol. 20, no. 7, 1982, pp. 30–35.
13. Krauss, Rosalind E. "The Originality of the Avant-Garde and Other Modernist Myths." The MIT Press, 1985.
14. Kramer, Hilton. "The Art World's Giant with the Flair of a Lilliputian." The New York Times, 20 Mar. 1983, www.nytimes.com/1983/03/20/arts/the-art-world-s-giant-with-the-flair-of-a-lilliputian.html.
15. Kimmelman, Michael. "Experiencing Richard Serra's Mammoth 'Intersection'." The New York Times, 11 Oct. 1992, www.nytimes.com/1992/10/11/arts/art-experiencing-richard-serra-s-mammoth-intersection.html.

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Episode Notes

Resources for info on Cy Twombly

1. The Cy Twombly Foundation Website (cytwombly.org)
2. The Museum of Modern Art (MoMA) (moma.org)
3. The Gagosian Gallery (gagosian.com)
4. Tate Modern (tate.org.uk)
5. The Whitney Museum of American Art (whitney.org)
6. Artforum (artforum.com)
7. The Art Story (theartstory.org)
8. The Guardian Art & Design Section (theguardian.com/artanddesign)
9. The New York Times Art Section (nytimes.com/section/arts)
10. Google Arts & Culture (artsandculture.google.com)

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